| Date | Venue | City | Status |
|---|---|---|---|
| To be confirmed | OVO Hydro (to be confirmed) | Glasgow | Date to be confirmed |
| Section | Indicative price |
|---|---|
| Entry / Standing | £49–£74 |
| Tier / Stands | £94–£129 |
| Front rows / Premium | £129–£159 |
| VIP / Hospitality | from £159 |
Indicative prices based on comparable events in Glasgow — never inflated or invented. Official price bands are confirmed by the promoter when tickets go on sale; you'll get them in the alert.
As it stands, a Feeder Glasgow 2027 date has not been officially confirmed. That is completely normal at this stage. Major Rock tours are announced leg by leg, and Glasgow — as one of the biggest live markets anywhere — is almost always on the routing when an artist of Feeder’s level goes back on the road. The moment Feeder confirms a Glasgow show, this page is updated with the venue, the date and the exact on-sale details, so it is worth bookmarking.
Right now the single most useful thing you can do is register for a free alert. Glasgow shows for an artist like Feeder routinely sell out within minutes, and the pre-sale window — where the best seats quietly go first — is short and easy to miss. Sign up and you will get an email the second a Feeder Glasgow 2027 date lands, with the pre-sale code and the on-sale time, so you are ready before the general public even sees it.
We keep everything on this page honest: no invented dates, no made-up venues and no fictional prices. Until Feeder and the promoter put out an official announcement, every detail below is framed as a likelihood or an indicative guide, clearly labelled as such. When the real information arrives it replaces the estimates here immediately — and it reaches your inbox at the same time if you are signed up. That way you are planning around facts, not rumours, and you never miss the window that matters.
It is also worth understanding why a Glasgow stop is so likely for a Rock artist at this level. Glasgow sits on almost every European and international touring route, it has the venue capacity to justify the travel and production costs, and its audience reliably fills big rooms — which is exactly what makes promoters pencil it in early. If Feeder is touring in 2027 at all, a Glasgow date is one of the more probable markets rather than a long shot, even if it is confirmed later than the first-announced cities.
In the meantime, keep an eye on Feeder’s official channels and this page together. Tour news usually breaks first through the artist’s own social accounts and the promoter, then filters out to ticketing sites and the press within hours. The fastest, least stressful way to stay on top of it is simply to sign up once here — we do the watching so a Feeder Glasgow 2027 announcement never slips past you while you are busy with everything else.
Nothing is confirmed, but based on the scale of a typical Rock headline show, the most likely home for Feeder in Glasgow would be OVO Hydro, with SEC Armadillo and Barrowland Ballroom also firmly in the frame. The final choice usually comes down to expected demand, the stage production Feeder is touring and which room is available on the night the promoter wants. Here is how the main Glasgow options compare:
Glasgow's venues are easy to reach: the OVO Hydro and SEC Armadillo sit on the Clyde with their own Exhibition Centre rail station (a few minutes from Glasgow Central), while city-centre rooms like the Barrowland, O2 Academy and King Tut's are a short walk or Subway ride from Central and Queen Street stations. Whichever venue Feeder lands for Glasgow in 2027, the rule is the same: the higher the demand, the faster it sells — so knowing the on-sale date in advance is what makes the difference between a great seat and a resale scramble.
Capacity matters for your chances, too. A larger arena means more tickets and a slightly better shot in the general sale, while a smaller, more intimate room pushes almost everything into the pre-sale. Either way, treat the venue names above as informed expectations rather than confirmed fact until Feeder announces — and let the alert do the watching for you so you do not have to refresh listings every day.
If Feeder plays more than one Glasgow night, the first date usually goes on sale alone and a second (or third) is added only once the first shows strong demand. Those extra dates often go up with little notice and less fanfare, so fans who are only watching for the headline announcement can miss them. Being on the alert list means you hear about added Glasgow shows too, not just the first one — which can be your best route to a ticket if the opening night sells out in minutes.
Tickets are released in stages, and understanding the sequence is the whole game for a high-demand Rock show:
Register for the Feeder Glasgow 2027 alert above and we will email you the pre-sale code and the on-sale time the moment they are confirmed. A few practical tips for the day: log in to your ticketing account and save a payment card before the sale opens, use a strong and stable connection, join the queue the instant it goes live, and do not refresh repeatedly — that can send you to the back. Be a little flexible on tier and you will almost always come away with seats.
Always buy through the official channels. For a show on this scale, resale prices spike within minutes, and most Glasgow venues now use name-locked mobile tickets that can make unofficial resale tickets worthless at the door. If you miss out, wait for official resale or a verified fan-to-fan platform rather than risking an unofficial seller — it is not worth losing both your money and the night.
How many tickets can you buy? Most Rock shows cap orders at four to six per person and per household to keep touts at bay, and some use identity checks at entry, so buy under the name of someone who will actually attend. If you are going as a group, agree in advance who will buy for everyone — having two people try for the same seats can mean you each end up in a different part of the Glasgow venue, or that a duplicate order is cancelled. One person, one clean order, is usually the smoothest way through the queue.
Prices are confirmed by the promoter at on-sale, but as an indicative guide for a Rock headline show at a Glasgow arena, you can expect roughly:
These are indicative figures based on comparable Glasgow shows, not confirmed Feeder Glasgow 2027 prices — the real bands are set only when tickets go on sale. VIP and hospitality packages typically bundle a premium seat or early entry with extras such as a merch pack, a dedicated bar or an early-access lane; they cost more but can be well worth it for a show you really care about.
Watch two things when you budget. Booking and facility fees are usually added on top of the face value at checkout, and dynamic pricing can push the most in-demand seats higher than the bands above. Decide your ceiling before the sale so a surge does not tempt you into overpaying. Sign up and we will include the confirmed price bands for Feeder Glasgow 2027 in your alert as soon as the promoter publishes them.
No setlist is confirmed yet — artists finalise them close to the tour, and they can change night to night. What we can say is that a Feeder show is built around the material fans most want to hear, usually a mix of the defining hits and songs from the most recent release, paced to build toward a peak. Expect one of the most electric live propositions in music once the lights go down.
Doors typically open 60–90 minutes before the headline set, with one or more support acts before Feeder takes the stage. As a Rock night, the production is a big part of the draw — lighting, visuals and staging designed for a room the size of a Glasgow arena. If you want the full effect, aim for a clear sightline to the stage and factor the support slot into your timings so you are not still queuing when the opener starts.
We will update this section with the confirmed support line-up and, once the tour is under way, a sense of the running order for Feeder Glasgow 2027 — always drawn from what has actually been played on the tour, never invented. Until then, treat any setlist you see elsewhere as a best guess rather than a promise.
One practical note: with a Rock show of this size, the running time is usually somewhere around two hours including the support, though headliners vary. If there is a strict curfew at the Glasgow venue — common for shows in residential areas — the main set can start promptly, so do not bank on a long gap after the doors time. Getting in early also means you are settled for the support act, who are often worth catching in their own right and can be a highlight you did not expect.
Glasgow's venues are easy to reach: the OVO Hydro and SEC Armadillo sit on the Clyde with their own Exhibition Centre rail station (a few minutes from Glasgow Central), while city-centre rooms like the Barrowland, O2 Academy and King Tut's are a short walk or Subway ride from Central and Queen Street stations.
For a big Rock night, plan your journey around the end of the show rather than just the start. Crowds leave all at once, so public transport is busiest immediately afterwards; checking the last departure times before you travel saves a stressful finish to the evening. If you are driving, pre-book parking near the venue — on-the-night spaces around Glasgow arenas fill quickly and cost more.
If you are travelling in for Feeder Glasgow 2027 from out of town, it is worth staying over. Rooms near the venue and the main transport hubs book up fast once a major date is announced, and prices climb as the night approaches, so reserve early and look for somewhere with a flexible cancellation policy in case the date shifts before it is confirmed. Staying central also lets you make a proper evening of it — Glasgow has plenty of places to eat and drink before the show, and you avoid a late-night dash for the last train home.
If you are coming from abroad for Feeder Glasgow 2027, build in a buffer day either side rather than flying in and out on the day of the show. Delays happen, and nothing is worse than missing a gig you travelled for because of a late train or plane. Check whether the venue is on the right side of the city for your accommodation and airport, and keep your tickets, ID and a charged phone together — many Glasgow venues now admit you on a mobile ticket and photo ID only, with no paper backup.
The pre-sale is where the best Feeder Glasgow 2027 seats go, and getting in is mostly about preparation. Register your interest with the official fan list and with any partner — card, telecom or streaming — you already use, because each route can carry its own code and its own early window. Codes are usually sent by email a day or two before the window opens, so watch your inbox and your spam folder in the run-up.
The simplest way to cover every route at once is to sign up for the free alert on this page. We track the official announcements and email you the pre-sale code and on-sale time for Feeder Glasgow 2027 the moment they are released, so you are not relying on catching a single social post at exactly the right second. One sign-up, every window covered.
A quick word on pre-sale codes: a genuine code only ever comes from the official fan club or partner you registered with, and it only unlocks the pre-sale — it never guarantees a ticket once you are in the queue. Be wary of anyone selling codes for Feeder Glasgow 2027, as they are usually either fake or already used. If a pre-sale sells out before you get through, do not panic; plenty of good seats are held back for the general on-sale the next day, so line up again then with the same preparation.
Seeing Feeder in Glasgow is not just another gig — it is one of the most electric live propositions in music. Glasgow crowds are famously all-in, and the city’s venues are built for exactly this kind of night. Whether it turns out to be a greatest-hits run or a set around the newest record, a Feeder Glasgow show is the kind of night people plan their year around — and it rewards getting tickets early, ideally in the pre-sale.
There is also the atmosphere unique to a packed Rock crowd: the singalongs are louder, the big moments land harder, and a sold-out Glasgow room gives a show an energy you simply do not get from a stream or a playlist. If a 2027 date is announced, it will be one of the live highlights of the year in the city, and the kind of show people are still talking about months later.
If you are into Feeder, these Rock artists are also on fans’ radar for Glasgow 2027 — tap any to get their alert too: AC/DC · Coldplay · Foo Fighters · Green Day · Guns N' Roses · Harry Styles · Imagine Dragons · Linkin Park.
Not yet. No official Feeder Glasgow 2027 date has been announced. Register above and you will be the first to know the moment one is, with the venue and on-sale details included.
On-sale dates are set by the promoter, usually a few months before the show, with a fan pre-sale 24–72 hours before the general release. Sign up so you do not miss the pre-sale.
It is not confirmed. Based on the likely scale of the show, OVO Hydro is the most probable, with SEC Armadillo and Barrowland Ballroom also possible.
Prices are confirmed at on-sale. As a guide, seated tickets typically start around £49, with premium and VIP packages higher. We will send the confirmed bands in your alert.
High-demand Rock shows almost always have a fan or partner pre-sale before the general on-sale. The code and timing are confirmed at announcement — sign up and we will forward them straight to you.
Only through official or verified resale. Many Glasgow venues use name-locked mobile tickets, so unofficial resale can be refused at the door. Avoid unofficial sellers.
Feeder's Glasgow story begins in 1996 with a show at the Cathouse on 11 October. The Cathouse, the dark, sweaty rock club with its metal-friendly reputation, was exactly the kind of intimate, few-hundred-capacity room where the Welsh trio were building their early following. The date came around the band's emergence, ahead of their debut album Polythene, as they toured hard on the strength of their loud, melodic alt-rock and a run of energetic early singles. Playing the Cathouse placed Feeder in the thick of Glasgow's grassroots live scene, in front of the kind of engaged, up-for-it crowd such venues drew. For a band that would go on to fill much larger rooms in the city, this early club show marks the very start of a long and durable relationship with Glasgow, one that would run across nearly three decades through the Barrowland, the SECC, the Academy and beyond. The 1996 Cathouse date captures Feeder as an emerging proposition, still working the small-venue circuit and winning over audiences one packed, high-volume show at a time before their profile began to climb.
In 1997 Feeder played Glasgow twice, appearing at the Barrowland on 26 February and returning to the Cathouse on 12 April. The two dates came around the band's debut album Polythene, released that year, whose loud, hook-laden alt-rock and standout singles pushed Feeder up the bill and won them a growing following. The Barrowland show placed them in the famous Gallowgate ballroom, a notable step up in scale, while the Cathouse return kept them connected to the intimate club circuit where they had started out in the city. Playing both venues within a single year captured a band on the rise, moving between rooms of different sizes as their audience grew. For Glasgow fans, 1997 was the year Feeder's energetic, melodic rock began landing with a wider crowd, the singles from Polythene turning heads and filling floors. The two shows kept up the band's momentum in the city and continued the relationship begun the previous autumn at the Cathouse. They mark an early, formative phase in Feeder's long Glasgow history, the point at which the band started outgrowing the smallest venues and reaching a broader audience.
Feeder played the Garage in Glasgow on 25 April 1998, a show on the tour behind their debut album Polythene. The Garage, the busy Sauchiehall Street venue with its distinctive frontage, was a key mid-sized room on the city's circuit, a natural home for a band whose profile was steadily climbing on the back of Polythene's energetic singles. Playing the Garage placed Feeder in front of a larger crowd than the Cathouse of their earliest Glasgow shows, reflecting their continuing growth. For the city's fans, the date offered the loud, melodic alt-rock that had become the band's signature, delivered in a room known for its lively atmosphere. The 1998 show kept up Feeder's regular presence in Glasgow, part of the hard touring that characterised their early years as they worked to broaden their audience gig by gig. It formed another link in the band's developing city relationship, bridging the small-club shows of 1996 and 1997 with the larger venues that lay ahead. The Garage date caught Feeder as a rising act with real momentum, still building toward the commercial breakthrough that would come with their later records.
In 1999 Feeder returned to the Garage in Glasgow on 29 May as part of BBC Music Live, a nationwide celebration of live music that saw acts performing across the country. The date came around the band's second album Yesterday Went Too Soon, released that year, which pushed Feeder further into the mainstream with a bigger, more expansive sound and a run of successful singles. Playing the Garage as part of a high-profile national event placed the band in a spotlight moment, their growing profile reflected in the occasion. For Glasgow fans, the show offered the melodic, anthemic rock of the Yesterday Went Too Soon era in a familiar mid-sized room. The BBC Music Live connection lent the date a sense of occasion beyond a standard tour stop, tying the band's Glasgow appearance into a wider celebration of the live scene. The 1999 show maintained Feeder's steady presence in the city and caught them at a point of clear momentum, their second album broadening their audience. It kept the band's Glasgow relationship building as they moved toward the bigger venues and greater commercial success of the years just ahead.
Feeder played the Cathouse in Glasgow on 12 December 2000, a return to the dark, intimate rock club where their city story had begun back in 1996. The date came in the run-up to the band's commercial breakthrough, ahead of their hugely successful third album Echo Park, and a Cathouse booking placed them once again in a small, charged room in front of a devoted crowd. Returning to the Cathouse, a venue far more intimate than some they had already played in the city, gave Glasgow fans a chance to see the band up close at a pivotal moment just before their profile exploded. The pre-Christmas show kept up Feeder's regular presence in Glasgow across the years, and the choice of the Cathouse underlined the band's roots in the city's grassroots club scene. The 2000 date sits right on the cusp of Feeder's rise to mainstream success, capturing them in an intimate setting one last time before the singles from Echo Park propelled them to much larger venues. It forms another link in a Glasgow relationship that had run steadily since the mid-nineties clubs.
Twenty-oh-one was a breakthrough year for Feeder, and their Glasgow dates reflected it. In April, on the 9th, they played the Barrowland, and then in November, on the 24th and 25th, they stepped up to two nights at the SECC. The huge leap in scale across the year, from the Gallowgate ballroom in spring to a two-night arena stand in winter, tracked the enormous success of the band's third album Echo Park, whose singles turned Feeder into a genuine mainstream force. The Barrowland show caught them as their profile surged, while the consecutive SECC dates confirmed their arrival as a full arena-scale act in the city. For Glasgow fans, seeing the band jump from the Barrow to two nights at the exhibition centre within a single year was a striking measure of how fast Feeder had risen. The 2001 shows marked the point at which the band's Glasgow relationship shifted decisively into the big-venue era, after years of steady club and hall appearances. They stand as a high point in the band's commercial ascent and a landmark year in their long city history.
In 2002 Feeder's Glasgow appearance came in a festival setting, playing Glasgow Green on 25 August as part of the Gig on the Green event. Glasgow Green, the historic parkland on the north bank of the Clyde, hosted this large outdoor gathering, and Feeder featured among its bill of leading rock and pop acts. Performing in the open air to a big festival crowd marked a change of setting from the band's usual indoor Glasgow shows, and placed them among the major draws at one of the significant Scottish outdoor events of the era. The date came in a period of high success for Feeder, following the mainstream breakthrough of Echo Park, and a prominent festival slot suited their elevated standing. For the city's audiences, catching the band's energetic, anthemic rock on Glasgow Green offered a different way to experience a group they had previously seen in the Cathouse, the Garage, the Barrowland and the SECC. The 2002 Gig on the Green appearance rounded out the range of Glasgow settings that had embraced Feeder, and kept up their steady, near-annual presence in the city during a peak commercial period.
Feeder played Glasgow three times in 2003, appearing at the Barrowland on 22 February and 12 March, and then at the SECC on 6 December. The year fell around the band's fourth album Comfort in Sound, a more reflective and widely acclaimed record made in the aftermath of great personal loss for the group, and its success kept Feeder firmly in the upper tier of British rock. The two Barrowland dates early in the year placed them in the atmospheric Gallowgate ballroom, while the December SECC show returned them to full arena scale. Three Glasgow shows in a single year, spread across two contrasting venues, reflected both the band's strong demand in the city and the sustained touring around a career-defining album. For fans, the Barrowland nights offered the more intimate ballroom experience, while the pre-Christmas SECC date delivered the larger arena spectacle. The 2003 shows underlined Feeder's status as one of Glasgow's most reliable and frequent rock draws in this period, and continued their long, consistent thread of city appearances. They caught the band at a moment of both critical acclaim and enduring popularity.
In 2005 Feeder played the Carling Academy Glasgow on 28 March, appearing at the venue now known as the O2 Academy. The Academy, the large converted space on Eglinton Street in the south side, had become a key stop on the city's circuit for major touring rock acts, and a date there placed Feeder in a substantial, well-established room. The show came around the band's fifth album Pushing the Senses, which continued their run of chart success with a polished, melodic sound. For Glasgow fans, the Academy date offered a big-room setting for a band whose catalogue by now stretched across five albums and numerous hit singles. The 2005 show maintained Feeder's steady presence in the city, and reflected the band's continuing standing as a dependable large-venue draw in the years following their commercial peak. It formed another entry in their long Glasgow history, bridging the arena and ballroom shows of the early 2000s with the appearances that would follow later in the decade. The Carling Academy date kept the band's city relationship running through the mid-2000s, delivered in one of Glasgow's principal large rock venues.
Feeder played Glasgow twice in 2008, appearing at the Classic Grand on 22 May and the Barrowland on 24 October. The two shows came around the band's sixth album Silent Cry, a record released during a transitional period for the group. The Classic Grand, an intimate venue on Jamaica Street, offered a smaller, more up-close setting, while the October Barrowland date returned the band to the larger, atmospheric Gallowgate ballroom. Playing two rooms of contrasting size within a single year reflected the band's flexibility and their continuing presence in the city across different scales of venue. For Glasgow fans, 2008 offered two distinct ways to catch Feeder, from the intimacy of the Classic Grand to the famous energy of the Barrowland. The shows maintained the band's long-running Glasgow relationship into their second decade, keeping up the steady thread of appearances that had run since the mid-nineties. They caught Feeder in a period of evolution, still touring committedly and drawing loyal crowds to the city's venues. The 2008 dates added further weight to a city bond that had already spanned a wide range of Glasgow rooms across more than ten years.
In 2010 Feeder played Glasgow twice in contrasting settings, appearing at King Tut's Wah Wah Hut on 25 January and the O2 ABC on 22 October. The King Tut's date placed the band in the tiny, legendary St Vincent Street club, a rare intimate show in a room holding only a few hundred, while the O2 ABC on Sauchiehall Street offered a larger mid-sized setting. The year came around the band's seventh album Renegades, a rawer, more stripped-back rock record that saw them return to a harder-edged sound, in part released under a side project name before appearing under the Feeder banner. The contrast between the two 2010 venues, from the intimacy of King Tut's to the scale of the ABC, captured the band's range and their willingness to play rooms of very different sizes. For Glasgow fans, the King Tut's show in particular was a treat, a chance to see an established act at close quarters. The 2010 dates maintained Feeder's steady presence in the city and continued their long relationship with its varied venues, keeping the thread of Glasgow appearances running into a new decade.
Feeder played the O2 Academy Glasgow on 17 November 2012, returning to the large south-side venue on Eglinton Street that had hosted them earlier in its Carling Academy days. The date came around the band's eighth album Generation Freakshow, which continued their run of melodic, anthemic rock, and a booking at the Academy placed them in one of the city's principal large-capacity venues for touring rock acts. For Glasgow fans, the show offered a big-room setting for a band whose catalogue now spanned eight albums and a wealth of singles built up across more than fifteen years. The 2012 date maintained Feeder's steady presence in the city, and reflected their enduring standing as a reliable large-venue draw well into their second decade. It formed another entry in the band's long Glasgow history, keeping up the consistent thread of appearances that had run since the mid-nineties clubs. The O2 Academy show underlined Feeder's ability to keep drawing substantial crowds in the city years after their commercial peak, delivered in a room that had become a familiar stop on their Glasgow itinerary across the 2000s and into the 2010s.
In 2016 Feeder played the O2 ABC in Glasgow on 28 September, a return to the mid-sized Sauchiehall Street venue that had hosted them earlier in the decade. The date came around the band's ninth album All Bright Electric, which marked a well-received return after a period away and reaffirmed Feeder's melodic, guitar-driven approach. Playing the O2 ABC placed the band in a familiar Glasgow room of a comfortable size, in front of the loyal following they had built up across two decades of city shows. For fans, the 2016 date offered a set drawing on both the newer material and the deep back catalogue of singles that had accumulated since the mid-nineties. The show maintained Feeder's presence in Glasgow after a quieter stretch, and reflected their continuing appeal as a durable, well-loved touring act. It formed another link in the band's long city relationship, keeping the thread of appearances running into their third decade. The O2 ABC date underlined Feeder's staying power, the band still drawing devoted Glasgow crowds to the city's mid-sized venues years after their commercial peak, and set the stage for their return to the Barrowland in the years that followed.
Feeder returned to the Barrowland in Glasgow on 11 March 2018, a show that came around the band's tenth studio album The Best Of, alongside their continuing run of new material in this era. Playing the Barrowland placed the band back in the atmospheric Gallowgate ballroom, one of the city's most cherished rooms and a venue that had featured repeatedly across their long Glasgow history. For fans, a Barrowland date meant the more intimate, high-energy ballroom experience, delivered by a band with a catalogue now stretching across more than two decades and packed with familiar singles. The 2018 show maintained Feeder's steady presence in the city and marked a return to the Barrow after their run of O2 ABC and Academy dates in the preceding years. It formed another entry in the band's enduring Glasgow relationship, keeping up the consistent thread of appearances that had run since 1996. The Barrowland date underlined Feeder's lasting appeal to Glasgow audiences, the band still drawing loyal crowds to one of the city's most storied venues well into their long career, and continued a bond that showed no sign of fading.
In 2019 Feeder played the Barrowland in Glasgow on 14 November, returning to the Gallowgate ballroom during the era of their album Tallulah. Released that year, the record continued the band's melodic, hook-driven rock and drew warm reviews, and touring it brought them back to one of their most-loved Glasgow venues. A Barrowland date once again placed Feeder in the atmospheric ballroom whose famous energy suited the band's anthemic material, in front of the devoted following they had built up over more than twenty years in the city. For fans, the 2019 show offered a set blending the newer Tallulah songs with the deep catalogue of singles that had accumulated across the band's long career. The date maintained Feeder's steady presence in Glasgow, following their 2018 Barrowland appearance and confirming the venue as a regular home for their city shows in this period. It formed another link in the band's enduring Glasgow relationship, keeping the thread of appearances running strong into a new decade. The Barrowland date underlined the lasting bond between Feeder and their Glasgow audience, the band still filling the beloved ballroom well into their career.
Feeder returned to the Barrowland in Glasgow on 30 April 2022, playing the Gallowgate ballroom on the tour behind their album Torpedo. Released that year, Torpedo was a heavier, more urgent record that saw the band embracing a punchier, riff-driven sound, and bringing that material to the energetic surroundings of the Barrowland made for a well-matched pairing. The show also marked a welcome return to full-scale touring after the disruption that had affected live music, bringing Feeder's loud, melodic rock back to one of their favourite Glasgow rooms. For fans, a Barrowland date meant the intimate, high-energy ballroom experience, delivered by a band with a vast catalogue built up across more than a quarter of a century. The 2022 show continued Feeder's strong run of Barrowland appearances in this period, and maintained their long, consistent thread of Glasgow shows stretching back to the mid-nineties. It underlined the band's enduring appeal and their evident affection for the Barrow, whose atmosphere suited the renewed energy of the Torpedo era. The date kept Feeder's durable Glasgow relationship running firmly into the 2020s, the bond as strong as ever.
Feeder played Glasgow twice in 2024, appearing at the Barrowland on 23 March and the intimate Stereo on 5 April. The year came around the band's continued run of new material, and the two shows offered contrasting settings, from the famous Gallowgate ballroom to the small, intimate Stereo venue in the city centre. Playing a room as compact as Stereo, in addition to the larger Barrowland, gave Glasgow fans a chance to see the band at very close quarters, a rare treat from an act with such a long and substantial catalogue. The contrast between the two 2024 dates captured Feeder's range and their willingness to play venues of very different sizes in the same city and year. For the band's devoted local following, built up across nearly three decades, the pairing offered two distinct ways to experience their loud, melodic rock. The 2024 shows maintained Feeder's steady presence in Glasgow and continued their long relationship with the city's varied venues, keeping the thread of appearances running. They underlined the band's enduring appeal and their deep roots in the Glasgow live scene, the bond still strong deep into their career.
In 2025 Feeder played the O2 Academy Glasgow on 3 October, returning to the large south-side venue on Eglinton Street that had hosted them across the years in its various guises. The date placed the band in one of the city's principal large-capacity rooms, in front of the loyal following they had built up over nearly three decades of Glasgow shows. For fans, an O2 Academy date meant a big-room setting for a set drawing on a vast catalogue of singles and albums accumulated since the mid-nineties. The 2025 show maintained Feeder's remarkably consistent presence in the city, keeping up a thread of appearances that had run, almost without interruption, since their debut Cathouse show back in 1996. It underlined the band's enduring appeal and staying power, still filling one of Glasgow's biggest venues well into their long career. The O2 Academy date formed the latest entry in one of the more durable artist-city relationships in recent British rock, Feeder having played nearly every significant Glasgow venue over the years, from tiny clubs to arenas. The show confirmed the band's lasting bond with their Glasgow audience remained as strong as ever.
Given this history on Glasgow stages, a Feeder return in 2027 would be eagerly awaited. Set the free alert to be notified if and when a date is announced.
Getting a presale code for Feeder Glasgow 2027 is the only way to access tickets before the general on-sale. These codes are distributed by the promoter, official partners and ticketing platforms (Ticketmaster UK, AXS, See Tickets, Live Nation) — and unlock a reserved sale window, typically 24 to 72 hours before public release. Sign up below to receive the code by email as soon as it goes live.
The artist or fan club presale is the very first sale window, reserved for registered fans ahead of everyone else — often the best moment to grab the best seats, sometimes several days before the general on-sale. For Feeder this allocation sells out fast. Sign up here to receive the artist presale code as soon as it opens, before the wider public.
The Feeder concert at OVO Hydro is one of the most anticipated gigs of the year. Presales for this venue typically open 48 to 72 hours before the general on-sale — a very short window where the best seats disappear in minutes. By signing up here, you'll get the OVO Hydro presale code by email as soon as it's released, with usage instructions for the official ticketing site.
VIP and premium hospitality offers for Feeder in Glasgow require a separate presale code, distributed first to subscribers. Depending on the tour setup, VIP packages may include standing or premium seats, early venue access, exclusive merchandise and sometimes a meet & greet. Sign up to get the Feeder VIP presale code as soon as it's released — typically before the public code.
The Mastercard presale is reserved for Mastercard holders and gives early access to tickets, usually before the general on-sale. Simply pay with an eligible Mastercard to qualify. Sign up here to receive the Mastercard presale code and the start time as soon as they are confirmed.
Live Nation, one of the biggest concert promoters, often runs a presale for its registered members ahead of the general on-sale. Sign up here to receive the Live Nation presale code for Feeder in Glasgow as soon as it's active.
Tickets for Feeder in Glasgow are generally available on Ticketmaster, AXS or See Tickets depending on the promoter. The Ticketmaster presale code is entered during seat selection — it unlocks a reserved allocation before the public on-sale. This code is separate from your Ticketmaster account and is not available from their site: you get it here by signing up for free.
No date is confirmed yet — sign up and you’ll be first to know when Feeder announces a Glasgow 2027 show, with the pre-sale code and on-sale time by email.